{"id":108801,"date":"2025-06-12T11:15:57","date_gmt":"2025-06-12T09:15:57","guid":{"rendered":"https:\/\/visitsirmione.com\/?p=108801"},"modified":"2025-06-16T11:21:45","modified_gmt":"2025-06-16T09:21:45","slug":"sirmione-photo-residency-all-the-participants-of-the-2025-edition","status":"publish","type":"post","link":"https:\/\/visitsirmione.com\/en\/sirmione-photo-residency-all-the-participants-of-the-2025-edition\/","title":{"rendered":"Sirmione Photo Residency: all the participants of the 2025 edition"},"content":{"rendered":"<figure id=\"attachment_107226\" aria-describedby=\"caption-attachment-107226\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"editor-img wp-image-107226 size-full\" src=\"https:\/\/visitsirmione.com\/wp-content\/uploads\/2025\/05\/8x2-Residency-2025-tutti-selezionati-ph-mattia-marzorati-maggio-2025.jpg\" alt=\"\" width=\"826\" height=\"207\" srcset=\"https:\/\/visitsirmione.com\/wp-content\/uploads\/2025\/05\/8x2-Residency-2025-tutti-selezionati-ph-mattia-marzorati-maggio-2025.jpg 826w, https:\/\/visitsirmione.com\/wp-content\/uploads\/2025\/05\/8x2-Residency-2025-tutti-selezionati-ph-mattia-marzorati-maggio-2025-568x142.jpg 568w, https:\/\/visitsirmione.com\/wp-content\/uploads\/2025\/05\/8x2-Residency-2025-tutti-selezionati-ph-mattia-marzorati-maggio-2025-374x94.jpg 374w, https:\/\/visitsirmione.com\/wp-content\/uploads\/2025\/05\/8x2-Residency-2025-tutti-selezionati-ph-mattia-marzorati-maggio-2025-794x199.jpg 794w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><figcaption id=\"caption-attachment-107226\" class=\"wp-caption-text\">Ph Mattia Marzorati, Sirmione Photo Residency 2024 (detail)<\/figcaption><\/figure>\n<p>What happens when photographers from every corner of the planet answer the same call?<br \/>\nAn open book is born on the world made of sensibilities and visual narratives: this is the response to the fourth edition of the<strong> Sirmione Photo Residency<\/strong>, which this year has collected <strong>168 proposals<\/strong> from <strong>30 countries<\/strong> around the world.<\/p>\n<p>Each project is a personal way of observing reality, transforming it, questioning it. Some look at the intimate, others at the landscape, others at conflicts, memory, identity. Together they compose a collective portrait of our time through the lens.<\/p>\n<p>Below is the complete list of participants, along with the titles of their projects. Where available, also links to their online portfolio. In case of absence of a portfolio, we invite you to communicate it to cultura@sirmionebs.it, so that we can add it promptly.<\/p>\n<p>Andrea Pagliari (Italy) &#8211;<strong>\u00a0Venice, people on move<\/strong><\/p>\n<p>Pina Ricciardi (Italy) &#8211; <strong>Lights and Shadows of a Lost Place<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/pepalittlerichard\/\">PORTFOLIO<\/a><\/p>\n<p>Gaia Villani (Italy) &#8211; <strong>Remains <\/strong>&#8211; <a href=\"https:\/\/www.gaiavillani.com\/\">PORTFOLIO<\/a><\/p>\n<p>Tommaso Rada (Italy) &#8211; <strong>Frames of Struggle<\/strong> | <strong>Quadros de Luta<\/strong><\/p>\n<p>Federica Sessa (Italy) &#8211; <strong>Easter Without Redemption<\/strong><\/p>\n<p>Roberto Ruoli (Italy) &#8211; <strong>Non \u00e8 un addio<\/strong> &#8211; <a href=\"https:\/\/www.robertoruoli.com\/%231\">PORTFOLIO<\/a><\/p>\n<p>Giovanna Senatore (Italy) &#8211; <strong>Emotions <\/strong>&#8211; <a href=\"www.mediaaetas.com\">PORTFOLIO<\/a><\/p>\n<p>Francesco grigori Di bene (Italy) &#8211; <strong>Chronogenics<\/strong> &#8211; <a href=\"https:\/\/francescodibene.com\/\">PORTFOLIO<\/a><\/p>\n<p>Benedetta Ristori (Italy) &#8211; <strong>East<\/strong> &#8211; <a href=\"www.benedettaristori.com\">PORTFOLIO<\/a><\/p>\n<p>Emanuel Perico (Italy) &#8211; <strong>Rhythms and contrasts of a metropolis <\/strong>&#8211; <a href=\"www.perico.biz\">PORTFOLIO<\/a><\/p>\n<p>Salina Sorrentino (Italy) &#8211; <strong>A un passo dal mondo<\/strong><\/p>\n<p>David Steinberg (United States) &#8211; <strong>Ouroboros<\/strong> &#8211; <a href=\"https:\/\/davidsteinberg.info\/\">PORTFOLIO<\/a><\/p>\n<p>Francesco Andreoli (Italy) &#8211; <strong>(UN)VAXXED:a photographic survey<\/strong> &#8211; <a href=\"https:\/\/www.francescoandreoli.com\/\">PORTFOLIO<\/a><\/p>\n<p>Antonio Iubatti (Italy) &#8211; <strong>Fenice<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/antonio.iubatti\/\">PORTFOLIO<\/a><\/p>\n<p>Matteo Capone (Italy) &#8211; <strong>Sentieri<\/strong> &#8211; <a href=\"https:\/\/www.matteocapone.it\/\">PORTFOLIO<\/a><\/p>\n<p>Anna Martynenko (Ukraine) &#8211; <strong>Berlin<\/strong> &#8211; <a href=\"https:\/\/anna-martynenko.com\/menu-\">PORTFOLIO<\/a><\/p>\n<p>Michele Martinelli (Italy) &#8211; <strong>Solvayland<\/strong> &#8211; <a href=\"https:\/\/www.michelemartinelliphotography.com\/\">PORTFOLIO<\/a><\/p>\n<p>Michael Banifatov (Russia-Israel) &#8211; <strong>Colosseo nuovo<\/strong> &#8211; <a href=\"https:\/\/michaelbanifatov.myportfolio.com\/\">PORTFOLIO<\/a><\/p>\n<p>Pulak Halder (India) &#8211; <strong>La Chartreuse<\/strong><\/p>\n<p>Marcin Id\u017akowski (Poland) &#8211; <strong>Icelandic fl\u00e6kingar<\/strong><\/p>\n<p>Silvia Sanna (Italy) &#8211; <strong>Of Nymphs and Oniric Worlds<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/silvia_sanna_artist\/\">PORTFOLIO<\/a><\/p>\n<p>Hiro Tanaka (Japan) &#8211; <strong>Chicharron<\/strong> &#8211; <a href=\"https:\/\/hypercool69.wixsite.com\/hiro-tanaka-3\">PORTFOLIO<\/a><\/p>\n<p>Maurizio Briatta (Italy)- <strong>&#8220;Ugly&#8221; Landscapes<\/strong> &#8211; <a href=\"http:\/\/www.mauriziobriatta.it\/\">PORTFOLIO<\/a><\/p>\n<p>Olga Fefilova (Spain) &#8211; <strong>TRANSCENDENTAL: Between Imaginary &amp; Symbolic<\/strong> &#8211; <a href=\"https:\/\/vomfrave.com\">PORTFOLIO<\/a><\/p>\n<p>Annamaria Belloni (Italy) &#8211; <strong>Riot<\/strong> &#8211; <a href=\"https:\/\/www.annamariabelloni.com\/\">PORTFOLIO<\/a><\/p>\n<p>Irina Jigilo (Belarus) &#8211; <strong>Oh my girl!<\/strong> &#8211; <a href=\"https:\/\/jigiloira.com\/\">PORTFOLIO<\/a><\/p>\n<p>Bulat Arslanov (Russia) &#8211; <strong>The Writer<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/bulatarslanov\/\">PORTFOLIO<\/a><\/p>\n<p>Adriano Piccioni (Italy) &#8211; <strong>The keeper of the temple<\/strong><\/p>\n<p>Catalina Isabel Nucera (Italy ) &#8211; <strong>Gutta Cavat Lapidem<\/strong> &#8211; <a href=\"www.kattynucera.com\">PORTFOLIO<\/a><\/p>\n<p>Vittorio Fratta (Italy) &#8211; <strong>A Life Between Marbella and Bologna: A Mediterranean Duality<\/strong> &#8211; <a href=\"www.buyartphoto.com\">PORTFOLIO<\/a><\/p>\n<p>Carlo Olmi (Italy) &#8211; <strong>Hands that wash the city<\/strong><\/p>\n<p>Andreja Ravnak (Slovenia) &#8211; <strong>The story of threads<\/strong> &#8211; <a href=\"https:\/\/mojevesolje.si\/\">PORTFOLIO<\/a><\/p>\n<p>Sunniva Johansen (Norway) &#8211; <strong>A Journey Through Guatemala<\/strong><\/p>\n<p>Stephen Sixta (United States) &#8211; <strong>The Broad Project<\/strong> &#8211; <a href=\"https:\/\/www.nelsonsixtaart.com\/\">PORTFOLIO<\/a><\/p>\n<p>Toby Binder (Argentine) &#8211; <strong>053KIDS<\/strong> &#8211; <a href=\"www.toby-binder.de\">PORTFOLIO<\/a><\/p>\n<p>Byeongbeom (Brandon) Kim (South Korea) &#8211;\u00a0 <a href=\"https:\/\/www.brandonbyeongbeomkim.com\/\">PORTFOLIO<\/a><\/p>\n<p>Sokhna Mariama Diakhate (Senegal) &#8211; <strong>Carrara Through my eyes<\/strong> &#8211; <a href=\"www.voceinteriore.com\">PORTFOLIO<\/a><\/p>\n<p>Catherine Alegre (Canada) \u2013 senza titolo<\/p>\n<p>Gabriele Casafino (Italy ) &#8211; <strong>Celeste<\/strong><\/p>\n<p>Annalisa Doriguzzi Breatta (Italy) &#8211; <strong>Terra Ferina<\/strong><\/p>\n<p>Vincent Slegers (Belgium) &#8211; <strong>Transcience &#8211; A quiet reminder on the passing of time<\/strong><\/p>\n<p>Claudio Provenza (Italy) &#8211; <strong>Anticlimax<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/claudioprovenza\/\">PORTFOLIO<\/a><\/p>\n<p>Valeria Anisimova (Russia) &#8211; <strong>The key to the start. The blog tour to Baikonur<\/strong> &#8211; <a href=\"https:\/\/disk.yandex.ru\/i\/IoXA6JWDfAH-bQ\">PORTFOLIO<\/a><\/p>\n<p>Livio Taricco (Italy) &#8211; <strong>Selective Impression<\/strong> &#8211; <a href=\"https:\/\/livio.show\/\">PORTFOLIO<\/a><\/p>\n<p>Grigory Yakimov (Russia) &#8211; senza titolo &#8211; <a href=\"https:\/\/grigoriy-y-yakimov.wfolio.pro\/disk\/proekt-2-sekundy-z7jm8x\">PORTFOLIO<\/a><\/p>\n<p>Beatrice Benzi (Italy ) &#8211; <strong>Unseen Moments<\/strong><\/p>\n<p>\u0141ukasz Ma\u0142ecki-Tepicht (Poland ) &#8211; <strong>Details of European heritage and surprises <\/strong><\/p>\n<p>Pavel Golovkin (Russia) &#8211; <strong>Waste Based <\/strong>&#8211; <a href=\"https:\/\/pavelgolovkin.com\/\">PORTFOLIO<\/a><\/p>\n<p>Marta Checchetti (Italy ) &#8211; <strong>Mylan<\/strong> &#8211; <a href=\"https:\/\/www.martachecchetti-nefeshart.com\/\">PORTFOLIO<\/a><\/p>\n<p>Laura Violeta Dima (Italy) &#8211; <strong>Creative Movement <\/strong><\/p>\n<p>Artem Bezmaternykh (Russia) &#8211; <strong>Post-Soviet Generation <\/strong>&#8211; <a href=\"https:\/\/www.instagram.com\/bez_maternykh\/\">PORTFOLIO<\/a><\/p>\n<p>Emma Louise Charalambous (Cyprus) &#8211; <strong>What\u2019s Up With The Sky? <\/strong>&#8211; <a href=\"https:\/\/www.emmalouise.photography\/\">PORTFOLIO<\/a><\/p>\n<p>Matteo Bastianelli (Italy) &#8211; <strong>Regina Varium <\/strong>&#8211; <a href=\"https:\/\/matteobastianelli.com\/\">PORTFOLIO<\/a><\/p>\n<p>Davide Torchia (Italy) &#8211; <strong>Portraits of Piedmont <\/strong>\u2013 Nature and Heritage &#8211; <a href=\"https:\/\/www.instagram.com\/davidetorchiaph\/\">PORTFOLIO<\/a><\/p>\n<p>Olimpia De Simone (Italy) &#8211; <strong>Nascere serparo <\/strong><\/p>\n<p>Raisan Hameed (Iraq-Germany) &#8211; <strong>Zer-srt\u00f6rung <\/strong><\/p>\n<p>Mila Filippozzi (Italy) &#8211; <strong>Bringing it all back home <\/strong>&#8211; <a href=\"https:\/\/www.milafphotography.com\/\">PORTFOLIO<\/a><\/p>\n<p>Amos Ferro Polacco (Italy) &#8211; <strong>The Lost Balance \u2013 Tales of Earth and Fire <\/strong>&#8211; <a href=\"https:\/\/www.instagram.com\/amos.ferro\/\">PORTFOLIO<\/a><\/p>\n<p>Mariolino Laudati (Italy) &#8211; <strong>The Wheat Rituals in Irpinia <\/strong><\/p>\n<p>Tamas Cseke (Hungary) &#8211; <strong>This place is a message <\/strong><\/p>\n<p>Amalia Teresa Violi (Italy) &#8211;<strong> At the origin of the day <\/strong><\/p>\n<p>Ashhen Tsovian (Armenia) &#8211; <strong>The Duality: Between Presence and Absence <\/strong><\/p>\n<p>Daniele Fermani (Italy) &#8211; <strong>Arbitri<\/strong><\/p>\n<p>Matteo Giardiello (Italy) &#8211; <strong>Nevermind if I\u2019m blind<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/baldnobold\/\">PORTFOLIO<\/a><\/p>\n<p>Daria Sinaiskaia (Russia) &#8211; <strong>Keys to Sortavala <\/strong>&#8211; <a href=\"https:\/\/sinaiskaia.art\/\">PORTFOLIO<\/a><\/p>\n<p>Michele Balugani (Italy) &#8211; <strong>Utopie<\/strong><\/p>\n<p>Evgenii Kim (Russia) &#8211; <strong>Fragments of Time: A Journey Through Light and Stillness <\/strong><\/p>\n<p>Daniel Grasso (Italy) &#8211; <strong>Liguria in essence Photographic<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/the_empty.place\/\">PORTFOLIO<\/a><\/p>\n<p>Gianluca Lanciai (Italy) &#8211;<strong> Timeland <\/strong>&#8211; <a href=\"www.gianlucalanciai.com\">PORTFOLIO<\/a><\/p>\n<p>Riccardo Bartolini (Italy) &#8211; <strong>Gujarat: A Journey through Daily life<\/strong> &#8211; <a href=\"https:\/\/iosonocaino.com\/\">PORTFOLIO<\/a><\/p>\n<p>Kendal Varolgunes (Turkia) &#8211; <strong>Lines of nomad lands <\/strong>&#8211; <a href=\"www.kendalvarolgunes.com\">PORTFOLIO<\/a><\/p>\n<p>Julia Tatarchenko (Russia) &#8211; <strong>The Sculptash <\/strong>&#8211; <a href=\"www.jultat.com\">PORTFOLIO<\/a><\/p>\n<p>Fabrizio Fasano (Italy) &#8211; <strong>Bodies in Places | Stories in Motion <\/strong>&#8211; <a href=\"www.fabriziofasano.com\">PORTFOLIO<\/a><\/p>\n<p>Xueting Wang (China) &#8211; <strong>Statement<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/cidn.sa\/\">PORTFOLIO<\/a><\/p>\n<p>Daria Tsygankova (Russia) &#8211; <strong>Bali life <\/strong><\/p>\n<p>Leonardo Gerzon (Spain) &#8211; <strong>DeltAir<\/strong> &#8211; <a href=\"https:\/\/www.leogerzon.com\/\">PORTFOLIO<\/a><\/p>\n<p>Riccardo Biancato (Italy ) &#8211; <strong>Sirmioni minimal <\/strong><\/p>\n<p>Adam Schrader (United States) &#8211; <strong>Expatriates <\/strong><\/p>\n<p>Lorenzo Marchetti (Italy) &#8211; <strong>Natural movement as a practice of living <\/strong>&#8211; <a href=\"https:\/\/www.marchettiphoto.it\/\" target=\"_blank\" rel=\"noopener\">PORTFOLIO<\/a><\/p>\n<p>Senti Theresa Sujata (Liechtenstein) &#8211; <strong>senza titolo<\/strong> &#8211; <a href=\"www.photoshooting.li\">PORTFOLIO<\/a><\/p>\n<p>Varvara Smirnova (Russia) &#8211; <strong>The great beyond <\/strong>&#8211; <a href=\"https:\/\/www.instagram.com\/jehoom\/\">PORTFOLIO<\/a><\/p>\n<p>Daria Schirato (Italy) &#8211; <strong>Gazing elsewhere <\/strong><\/p>\n<p>Maria Kinosian (Russia) \u2013 <strong>senza titolo<\/strong><\/p>\n<p>Giuseppe\u00a0 Praiano (Italy) &#8211; <strong>Livorno, beyond the gaze <\/strong>&#8211;<\/p>\n<p>Dorijan\u00a0 Milovanovik (Macedonian) &#8211; <strong>Bond<\/strong> &#8211; <a href=\"https:\/\/dorijanm.wixsite.com\/indievisual\">PORTFOLIO<\/a><\/p>\n<p>Aleksandra Belyaeva (Russia) \u2013 <strong>senza titolo<\/strong><\/p>\n<p>Anne-Charlotte Moulard (France) &#8211; <strong>Stella<\/strong> &#8211; <a href=\"https:\/\/www.annecharlottemoulard.com\/\">PORTFOLIO<\/a><\/p>\n<p>Lea Brugnoli (Italy) &#8211; <strong>Body Light Move <\/strong><\/p>\n<p>Luca Stefanelli (Italy) &#8211; <strong>Japan<\/strong>\u00a0 &#8211; <a href=\"https:\/\/www.instagram.com\/thelucastefanelli\/\">PORTFOLIO<\/a><\/p>\n<p>Feliks Sokolov (Russia) &#8211; <strong>Pictures That Never Existed<\/strong><\/p>\n<p>Andrius Venclova (Russian\/Lithuanian) &#8211; <strong>Portrait in the interior<\/strong><\/p>\n<p>Sandra Resende (Brasil) &#8211; <strong>Beach Creatures<\/strong><\/p>\n<p>Lera Nerybka (Russia) &#8211; <strong>Serenity<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/ne.rybka\/\">PORTFOLIO<\/a><\/p>\n<p>Amira Adel (Egyptian) &#8211; <strong>Haider Nabi: A Village in the Clouds<\/strong><\/p>\n<p>Xiaofan Wu (China) &#8211; <strong>Reise der Magiestadt<\/strong> &#8211; <a href=\"https:\/\/www.soleil-noir.me\/en\/home.html\">PORTFOLIO<\/a><\/p>\n<p>Yekaterina Zhuravleva (Kazakistan) &#8211; <strong>Summer Inspiration of<\/strong> <strong>Almaty<\/strong><\/p>\n<p>Daniele Di Pietro (Italy) &#8211; <strong>EUR<\/strong> &#8211; <a href=\"https:\/\/www.necessitafotografica.com\/\">PORTFOLIO<\/a><\/p>\n<p>Cinzia Laliscia (Italy) &#8211; <strong>Finally, I Can Go<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/cinzialaliscia\/\">PORTFOLIO<\/a><\/p>\n<p>Noemi Comi (Italy) &#8211; <strong>Lupus Hominarius<\/strong> &#8211; <a href=\"https:\/\/www.noemicomi.com\/\">PORTFOLIO<\/a><\/p>\n<p>Sz-Ting Chang Chien (Taiwan) &#8211; <strong>Life in the city<\/strong> &#8211; <a href=\"https:\/\/readymag.website\/u2634582550\/5369179\/\">PORTFOLIO<\/a><\/p>\n<p>Alejandra Mart\u00ednez Quesada (Mexicana) &#8211; <strong>The hallway that became a room<\/strong><\/p>\n<p>Alisa Baklashova (Russian) &#8211; <strong>Roots of Femininity<\/strong><\/p>\n<p>Anastasia Tyamaeva (Russia) &#8211; <strong>Shades of Nudity<\/strong><\/p>\n<p>Stefano Carnelli (Italy) &#8211; <strong>Transumanza<\/strong> &#8211; <a href=\"https:\/\/www.stefanocarnelli.com\/\">PORTFOLIO<\/a><\/p>\n<p>Thando Mfundo Ngidi (South African) &#8211; <strong>Memorys Scapes<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/inzula_extraterrestrial_unseen\/\">PORTFOLIO<\/a><\/p>\n<p>Bardia Kabirifar (Iran) &#8211; <strong>Lonesome Road \u2013 The story of Iranian Truck Drivers of Georgia<\/strong> &#8211; <a href=\"https:\/\/www.bardiakabirifar.com\/\">PORTFOLIO<\/a><\/p>\n<p>Petr Antonov (Russia) &#8211; <strong>Ruins<\/strong> &#8211; <a href=\"http:\/\/www.petrantonov.com\/\">PORTFOLIO<\/a><\/p>\n<p>Jonasz Cieslak (Poland) &#8211; <strong>Children of the earth -The Italian holistic movement<\/strong> &#8211; <a href=\"https:\/\/jonacieslak.squarespace.com\/\">PORTFOLIO<\/a><\/p>\n<p>Iolanda Albrizio (Italy) &#8211; <strong>Dance and Music: A Visual Harmony<\/strong> &#8211; <a href=\"https:\/\/www.facebook.com\/p\/Albrizio-Iolanda-Photography-100086608578266\/\">PORTFOLIO<\/a><\/p>\n<p>Ekaterina Tsoi (Russia) &#8211; <strong>Solo: Muse Collection<\/strong><\/p>\n<p>Elizaveta Kosareva (Russia) &#8211; <strong>Winter Luxury<\/strong><\/p>\n<p>Anna Sophie Knobloch (Germany) &#8211; <strong>Jahrtausendsonnen (\u201eMillennium Suns\u201c)<\/strong> &#8211; <a href=\"https:\/\/annasophieknobloch.xyz\/\">PORTFOLIO<\/a><\/p>\n<p>May Parlar (USA) &#8211; <strong>Collective Solitude<\/strong> &#8211; <a href=\"https:\/\/www.mayparlar.com\/\">PORTFOLIO<\/a><\/p>\n<p>Natella Vicente (Maisuradze) (Russia) &#8211; <strong>Series \u201cThe City where I live\u201d<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/natellamaisuradze\">PORTFOLIO<\/a><\/p>\n<p>Daria Goroshkova (Russia) &#8211; <strong>senza titolo<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/basic.daria\/\">PORTFOLIO<\/a><\/p>\n<p>Elisa Ciarniello (Argentina) &#8211; <strong>Sororidad Micelar<\/strong> &#8211; <a href=\"https:\/\/elisaciarni.myportfolio.com\/\">PORTFOLIO<\/a><\/p>\n<p>Giulia De Rubeis (Italy) &#8211; <strong>Ecomostro<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/giulia_de_rubeis_\/\">PORTFOLIO<\/a><\/p>\n<p>Agnieszka Mastalerz (Poland) &#8211; <strong>Supports<\/strong> &#8211; <a href=\"http:\/\/agnieszkamastalerz.com\/\">PORTFOLIO<\/a><\/p>\n<p>Selina Brenner (Swiss) &#8211; <strong>Resilience<\/strong> &#8211; <a href=\"https:\/\/www.selinabrenner.com\/\">PORTFOLIO<\/a><\/p>\n<p>Petrina Blander (Canada) &#8211; <strong>Shabbat Shalom Italy<\/strong> &#8211; <a href=\"https:\/\/www.petrinablander.com\/\">PORTFOLIO<\/a><\/p>\n<p>Aurora Marcian\u00f2 (Italy) \u2013 <strong>senza titolo<\/strong><\/p>\n<p>Valeriia Iakhneva (Russia) &#8211; <strong>The Open-Air Studio <\/strong>&#8211; <a href=\"https:\/\/www.instagram.com\/valeriiaphotography\/\">PORTFOLIO<\/a><\/p>\n<p>Alexandra Harrison (England) &#8211; <strong>Experiencing Australia <\/strong>&#8211; <a href=\"https:\/\/alexrosephotography.myportfolio.com\/work\" target=\"_blank\" rel=\"noopener\">PORTFOLIO<\/a><\/p>\n<p>Luciano Boschetti (Italy) &#8211; <strong>Ferrara Yesterday and Today <\/strong>&#8211; <a href=\"https:\/\/www.linkedin.com\/in\/luciano-boschetti-78307533\">PORTFOLIO<\/a><\/p>\n<p>Dorothea Forrester (England) &#8211; <strong>senza titolo<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/dorotheaforrester\/\">PORTFOLIO<\/a><\/p>\n<p>Raman Maisei (Belarus) &#8211; <strong>Dacha<\/strong> &#8211; <a href=\"https:\/\/romaisei.com\/\">PORTFOLIO<\/a><\/p>\n<p>Hayoung Cheon (USA) &#8211; <strong>Lucent Reverberations <\/strong>&#8211; <a href=\"https:\/\/01drawing.myportfolio.com\/\">PORTFOLIO<\/a><\/p>\n<p>Massimo Barberio (Italy) &#8211; <strong>La luce e l&#8217;aria <\/strong>&#8211; <a href=\"https:\/\/www.lascattiera.info\/\">PORTFOLIO<\/a><\/p>\n<p>Anna Tuyet Tamagnone (Italy) &#8211; <strong>Identity Belonging <\/strong>&#8211; <a href=\"https:\/\/www.instagram.com\/___.tuyet_ph.___\/\">PORTFOLIO<\/a><\/p>\n<p>Francesco Brigida (Italy) &#8211; <strong>Equator <\/strong>&#8211; <a href=\"https:\/\/www.francescobrigida.com\/\">PORTFOLIO<\/a><\/p>\n<p>Kike Balenzategui Arbizu (Spain) &#8211; <strong>Sakkaku <\/strong>&#8211; <a href=\"https:\/\/1x.com\/kikebalenzategui\">PORTFOLIO<\/a><\/p>\n<p>&#8220;Naomi Hannah (England) &#8211; <strong>Ephemeral Rio: Play and Process. Human Moments in an Urban Landscape <\/strong>&#8211; <a href=\"https:\/\/hannahrebeccanaomi.com\/\">PORTFOLIO<\/a><\/p>\n<p>Edoardo Tresca (Italy) &#8211; <strong>Tiburtina Station an architectural journey <\/strong><\/p>\n<p>Alexander Buzhinskiy (Russia) &#8211; <strong>Forgotten Word <\/strong>&#8211; <a href=\"https:\/\/www.instagram.com\/rarh.alexander\/\">PORTFOLIO<\/a><\/p>\n<p>Nils Dunkel (Germany) &#8211; <strong>Year 1\/2\/3 <\/strong>&#8211; <a href=\"https:\/\/nilsdunkel.myportfolio.com\/\">PORTFOLIO<\/a><\/p>\n<p>Anna Shmitko (Israel) &#8211; <strong>While men mourn <\/strong>&#8211; <a href=\"https:\/\/annashmitko.com\/\">PORTFOLIO<\/a><\/p>\n<p>Roberto Braga (Italy) &#8211; <strong>Made to male<\/strong> &#8211; <a href=\"https:\/\/www.robertobraga.it\/\">PORTFOLIO<\/a><\/p>\n<p>Liliana Curtilli (Italy) &#8211; <strong>I am not silence <\/strong>&#8211; <a href=\"https:\/\/www.instagram.com\/lillicurtilli\/\">PORTFOLIO<\/a><\/p>\n<p>Patrice Zamy (France ) &#8211; <strong>The World\u2019s Back <\/strong>&#8211; <a href=\"https:\/\/www.patricehz.com\/\">PORTFOLIO<\/a><\/p>\n<p>Alla Saifutdinova (Tatar) &#8211; <strong>Summer holidays <\/strong>&#8211; <a href=\"https:\/\/www.instagram.com\/ph.saify\/\">PORTFOLIO<\/a><\/p>\n<p>Alessio Cupelli (Italy) &#8211; <strong>As if I belonged <\/strong>&#8211; <a href=\"https:\/\/www.instagram.com\/alessio_cupelli_\/?hl=it\">PORTFOLIO<\/a><\/p>\n<p>Tomas Eyzaguirre (Chile) &#8211; <strong>Sketches for Dressing the Body<\/strong> &#8211; <a href=\"https:\/\/tomeyzaguirre.com\/\">PORTFOLIO<\/a><\/p>\n<p>Nazya Temirkhanova (Kazakhstan) \u2013 <strong>senza titolo<\/strong><\/p>\n<p>Lara De Battista (Italy) &#8211; <strong>Landscape changes and commercial activities along the Piave River <\/strong><\/p>\n<p>Filippo Ferraro (Italy) &#8211; <strong>Wooden Diamond <\/strong>&#8211; <a href=\"https:\/\/www.filippoferraro.com\/\">PORTFOLIO<\/a><\/p>\n<p>Alisa Martynova (Russia) &#8211; <strong>Nowhere Near <\/strong>&#8211; <a href=\"https:\/\/www.alisamartynova.com\/\">PORTFOLIO<\/a><\/p>\n<p>Stefanie Schroeder (Germany) &#8211; <strong>Irak Rotation <\/strong>&#8211; <a href=\"http:\/\/www.schroederstefanie.de\/\">PORTFOLIO<\/a><\/p>\n<p>Wendy Sama (France ) &#8211; <strong>Passing Selves <\/strong>&#8211; <a href=\"https:\/\/wendysama.com\/\">PORTFOLIO<\/a><\/p>\n<p>Kiki Streitberger (Germany) &#8211; <strong>Zugv\u00f6gel<\/strong> &#8211; <a href=\"https:\/\/kikistreitberger.com\/\">PORTFOLIO<\/a><\/p>\n<p>Ekaterina Mamontova (Russia) &#8211; <strong>Space of Love<\/strong><\/p>\n<p>Katya Ilina (Canadian) &#8211; <strong>Rosemary &amp; Thyme<\/strong> &#8211; <a href=\"https:\/\/www.katyailina.com\/\">PORTFOLIO<\/a><\/p>\n<p>Fern Michaels (England) &#8211; <strong>Sacred Symbols: A language of grief an hope<\/strong><\/p>\n<p>Ismail Odetola (Nigeria) &#8211; <strong>River Life in Lagos<\/strong><\/p>\n<p>Grazia Ciancitto (Italy) &#8211; <strong>Primavera 2014<\/strong><\/p>\n<p>Ekaterina Maximova (Russia) &#8211; <strong>Cloister on the Lake Kenozero<\/strong><\/p>\n<p>Polina Kuprina (Russia) &#8211; <strong>Traces of Humanity<\/strong><\/p>\n<p>Tatiana Rumyantseva (Russia) &#8211; <strong>Siberian Summer and Women<\/strong> &#8211; <a href=\"https:\/\/tati-tati.ru\/\">PORTFOLIO<\/a><\/p>\n<p>Alam Rafif (Indonesia) &#8211; <strong>The Past Comes Into \u00a0Your Dream Now<\/strong> &#8211; <a href=\"https:\/\/stockroom56.com\/artist\/alam-rafif-alfa\/\">PORTFOLIO<\/a><\/p>\n<p>Carola Cappellari (Italy) &#8211; <strong>Sons of the sun<\/strong> &#8211; <a href=\"https:\/\/carolacappellari.com\/\">PORTFOLIO<\/a><\/p>\n<p>Claudio Mantovani (Italy) &#8211; <strong>Looking for the northern \u00a0lights<\/strong><\/p>\n<p>Enrico Carpi (Italy) &#8211; <strong>Silent Collapse<\/strong> &#8211; <a href=\"https:\/\/enricocarpi.com\/\">PORTFOLIO<\/a><\/p>\n<p>Salome Jishkariani (Georgia) &#8211; <strong>I Dreamed I was a Sea<\/strong> &#8211; <a href=\"https:\/\/salomejishkariani.myportfolio.com\/\">PORTFOLIO<\/a><\/p>\n<p>Teresa Bucca (Italy) &#8211; <strong>Cosa c&#8217;\u00e8 di vivo? What is Living<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/teresabucca\/%22\">PORTFOLIO<\/a><\/p>\n<p>Olga Evdokimova (Russia) &#8211; <strong>Crafts Chamber<\/strong><\/p>\n<p>Anastasia Petrovicheva (Russia) &#8211; <strong>Smireniye<\/strong> &#8211; <a href=\"https:\/\/www.vogue.com\/photovogue\/photographers\/248834\">PORTFOLIO<\/a><\/p>\n<p>Polina Krasavina (Russia) &#8211; <strong>Book Worlds<\/strong><\/p>\n<p>Emre Goksu (Turkia) &#8211; <strong>War and Destruction<\/strong> &#8211; <a href=\"https:\/\/www.tahir.li\/\">PORTFOLIO<\/a><\/p>\n<p>Ivelise Caruso (Italy) &#8211; <strong>Modern romanticism<\/strong> &#8211; <a href=\"https:\/\/ivelisecarusowork.myportfolio.com\/\">PORTFOLIO<\/a><\/p>\n<p><strong><br \/>\n<a href=\"https:\/\/sirmionefotografia.it\/\" target=\"_blank\" rel=\"noopener\">Sirmione Award for Photography<\/a><\/strong><\/p>\n<hr \/>\n<figure id=\"attachment_107228\" aria-describedby=\"caption-attachment-107228\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"editor-img wp-image-107228 size-large\" src=\"https:\/\/visitsirmione.com\/wp-content\/uploads\/2025\/05\/MATTIA-MARZORATI-immagini-per-comunicazione_DSF0385-826x1103.jpg\" alt=\"\" width=\"826\" height=\"1103\" srcset=\"https:\/\/visitsirmione.com\/wp-content\/uploads\/2025\/05\/MATTIA-MARZORATI-immagini-per-comunicazione_DSF0385-826x1103.jpg 826w, https:\/\/visitsirmione.com\/wp-content\/uploads\/2025\/05\/MATTIA-MARZORATI-immagini-per-comunicazione_DSF0385-425x568.jpg 425w, https:\/\/visitsirmione.com\/wp-content\/uploads\/2025\/05\/MATTIA-MARZORATI-immagini-per-comunicazione_DSF0385-280x374.jpg 280w, https:\/\/visitsirmione.com\/wp-content\/uploads\/2025\/05\/MATTIA-MARZORATI-immagini-per-comunicazione_DSF0385-371x496.jpg 371w, https:\/\/visitsirmione.com\/wp-content\/uploads\/2025\/05\/MATTIA-MARZORATI-immagini-per-comunicazione_DSF0385-1150x1536.jpg 1150w, https:\/\/visitsirmione.com\/wp-content\/uploads\/2025\/05\/MATTIA-MARZORATI-immagini-per-comunicazione_DSF0385.jpg 1248w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><figcaption id=\"caption-attachment-107228\" class=\"wp-caption-text\">Ph Mattia Marzorati, Sirmione Photo Residency 2024<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>What happens when photographers from every corner of the planet answer the same call? An open book is born on the world made of sensibilities and visual narratives: this is the response to the fourth edition of the Sirmione Photo Residency, which this year has collected 168 proposals from 30 countries around the world. Each [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":107225,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[],"class_list":["post-108801","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","liste-fotografia","liste-premio-sirmione-per-la-fotografia"],"acf":[],"_links":{"self":[{"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/posts\/108801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/comments?post=108801"}],"version-history":[{"count":5,"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/posts\/108801\/revisions"}],"predecessor-version":[{"id":109342,"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/posts\/108801\/revisions\/109342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/media\/107225"}],"wp:attachment":[{"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/media?parent=108801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/categories?post=108801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/tags?post=108801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}