{"id":64689,"date":"2023-04-17T14:58:32","date_gmt":"2023-04-17T12:58:32","guid":{"rendered":"https:\/\/visitsirmione.com\/?page_id=64689"},"modified":"2023-05-24T11:33:25","modified_gmt":"2023-05-24T09:33:25","slug":"sirmione-photo-residency-tutti-i-partecipanti-delledizione-2023","status":"publish","type":"page","link":"https:\/\/visitsirmione.com\/en\/sirmione-photo-residency-tutti-i-partecipanti-delledizione-2023\/","title":{"rendered":"Sirmione Photo Residency: all the applicants of 2023 edition"},"content":{"rendered":"<figure id=\"attachment_64540\" aria-describedby=\"caption-attachment-64540\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"editor-img wp-image-64540 size-large\" src=\"https:\/\/visitsirmione.com\/wp-content\/uploads\/2023\/04\/8x2-Davide-Greco-residency-2022-826x207.jpg\" alt=\"\" width=\"826\" height=\"207\" srcset=\"https:\/\/visitsirmione.com\/wp-content\/uploads\/2023\/04\/8x2-Davide-Greco-residency-2022-826x207.jpg 826w, https:\/\/visitsirmione.com\/wp-content\/uploads\/2023\/04\/8x2-Davide-Greco-residency-2022-568x142.jpg 568w, https:\/\/visitsirmione.com\/wp-content\/uploads\/2023\/04\/8x2-Davide-Greco-residency-2022-374x94.jpg 374w, https:\/\/visitsirmione.com\/wp-content\/uploads\/2023\/04\/8x2-Davide-Greco-residency-2022-794x199.jpg 794w, https:\/\/visitsirmione.com\/wp-content\/uploads\/2023\/04\/8x2-Davide-Greco-residency-2022.jpg 1200w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><figcaption id=\"caption-attachment-64540\" class=\"wp-caption-text\">Ph Davide Greco, Sirmione Photo Residency 2022<\/figcaption><\/figure>\n<p><strong>283 applicants for the second edition of the Sirmione Photo Residency.<\/strong><br \/>\nContents, styles, professional and artistic paths, poetics and techniques very different from each other, but united by the same great passion for photography and for the way with which only photography can tell the world and people.<\/p>\n<p><strong>283 projects, each of which deserves to be known.<br \/>\n<\/strong>Here below the complete list of applicants from all over the world and when available the title of the project and the online portfolio of the photographers. <em>If the portfolio is not present, you can reach us at cultura@sirmionebs.it and we will be glad to add it.<\/em><strong><br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/visitsirmione.com\/en\/sirmione-photo-residency-2023-marzo-2023\/\">The presentation of <strong>Sirmione Photo Residency<\/strong><\/a><\/p>\n<p>Isabelle Claude Abbate (Italy) &#8211; <strong>Now you know?<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/isabelleclaudeabbate\/\">Portfolio<\/a><br \/>\nFabio Accorr\u00e0 (Italy) &#8211; <strong>Bianco \/ Nero Rubens <\/strong>&#8211;\u00a0<a href=\"https:\/\/www.fabioaccorra.com\/\">Portfolio<\/a><br \/>\nGabriella Achadinha (Germany) &#8211; <strong>Anguane<\/strong> &#8211;\u00a0<a href=\"https:\/\/gabriellaachadinha.com\/\">Portfolio<\/a><br \/>\nLinda Acunto (Italy) &#8211; <strong>Where feet don&#8217;t touch the ground<\/strong> &#8211; <a href=\"https:\/\/www.lindaacunto.com\/\">Portfolio<\/a><br \/>\nAdeyemi Adebayo (Finland) &#8211; <strong>Adeversoria: Our Lives As Solo Performances<\/strong> &#8211; <a href=\"https:\/\/www.behance.net\/adeyemiadebayo1\">Portfolio<\/a><br \/>\nTiffany Adler (USA) &#8211; <a href=\"https:\/\/www.tiffany-adler.com\/\" target=\"_blank\" rel=\"noopener\">Portfolio<\/a><br \/>\nFarzana Akhtar (Bangladesh) &#8211; <strong>A Litany for Survival<\/strong> &#8211; <a href=\"https:\/\/farzanaakhtar.wordpress.com\/\">Portfolio<\/a><br \/>\nClaudia Alberti (Italy) &#8211; <strong>A mal tiempo buena birra<\/strong><br \/>\nAgnese Alessandrini (Italy) &#8211; <strong>Lo sguardo assente<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/aalessandrinii\/\">Portfolio<\/a><br \/>\nStefano Allari (Italy) &#8211; <strong>Blue<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.stefanoallari.com\/\">Portfolio<\/a><br \/>\nJoan Alvado (Spain) &#8211; <strong>The ballads of the coral <\/strong>&#8211; <a href=\"http:\/\/www.joanalvado.com\/\">Portfolio<\/a><br \/>\nWesley Alves Da Silva (Italy) &#8211; <strong>Attenzione!!! <\/strong>&#8211; <a href=\"http:\/\/www.instagram.com\/doppiavu.silva.9\">Portfolio<\/a><br \/>\nFrancesco Andreoli (Italy) &#8211; <strong>(Un)Vaxxed: a photographic survey<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/phrandreoli\/\">Portfolio<\/a><br \/>\nLu\u00eds Aniceto (Portugal) &#8211; <strong>South side<\/strong> &#8211;\u00a0<a href=\"https:\/\/luisaniceto.pt\/\">Portfolio<\/a><br \/>\nAndrea Antonelli (Italy) &#8211; <strong>\u0623\u062d\u0644\u0627\u0645<\/strong> <strong>(Sogni)<\/strong> &#8211; <a href=\"https:\/\/www.behance.net\/andrea_antonelli\">Portfolio<\/a><br \/>\nGianmarco Aquilani (Italy) &#8211; <strong>(In)tangible <\/strong>&#8211; <a href=\"http:\/\/www.instagram.com\/gianmarcoaquilani\/\">Portfolio<\/a><br \/>\nSergio Aveta (Italy) &#8211; <strong>The miracle of the Tanguieta Hospital<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/sema_fotografando\/\">Portfolio<\/a><br \/>\nYinon Avior (Denmark) &#8211; <a href=\"https:\/\/yinonavior.com\/\">Portfolio<\/a><br \/>\nBarbara Baiocchi (Italy) &#8211; <strong>Sempre si vince. Una metafora tutta italiana<\/strong> &#8211; <a href=\"https:\/\/www.barbarabaiocchi.it\/\">Portfolio<\/a><br \/>\nOana Bakovi\u0107\u00a0 (UK) &#8211; <strong>MRV23<\/strong> &#8211; <a href=\"https:\/\/www.mrv23.photography\/\">Portfolio<\/a><br \/>\nEkaterina Balaban (Latvia) &#8211; <strong>The sea is rough<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.katyabalaban.com\">Portfolio<\/a><br \/>\nLuca Baldassari (Italy) &#8211; <strong>Tempo in scatola <\/strong>&#8211; <a href=\"https:\/\/www.artmajeur.com\/lucabaldassari\">Portfolio<\/a><br \/>\nMichael Banifatov (Israel) &#8211; <strong>Unknown trip. White noise from nowhere.\u00a0 <\/strong>&#8211; <a href=\"http:\/\/michaelbanifatov.photography\/\">Portfolio<\/a><br \/>\nRuggero Barberi (Italy) &#8211; <strong>Le forme del tremendo e della grazia <\/strong>&#8211; <a href=\"http:\/\/www.instagram.com\/rubedine\">Portfolio<\/a><br \/>\nFederica Barcellona (Italy) &#8211; <strong>La bellezza \u00e8 nella carne<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.federicabarcellona.eu\/\">Portfolio<\/a><br \/>\nGiacomo Barone (Italy) &#8211; <strong>Il pubblico delle grandi occasioni<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.giacomobarone.it\/\">Portfolio<\/a><br \/>\nNacho Barrio (Spain) &#8211; <strong>Ol Lesa <\/strong>&#8211; <a href=\"https:\/\/nachobarrio.studio\/\">Portfolio<\/a><br \/>\nLorenza Bassino (Italy) &#8211; <strong>Part of them <\/strong>&#8211; <a href=\"https:\/\/lorenzabassino.it\/\">Portfolio<\/a><br \/>\nKsenia Belolutskaya (Russia) &#8211; <strong>Dacha <\/strong>&#8211; <a href=\"https:\/\/ksenialuts.com\/\">Portfolio<\/a><br \/>\nNadia Bencetti (Italy) &#8211; <strong>I sette riti della menopausa<\/strong><br \/>\nMartyna Benedyka (Poland) &#8211; <strong>Don\u2019t Forget You \u2019re Going To Die<\/strong> &#8211; <a href=\"https:\/\/martynabenedyka.com\/\">Portfolio<\/a><br \/>\nNeil Berkowitz (USA) &#8211; <strong>Strange Connections<\/strong> &#8211; <a href=\"https:\/\/www.neilberkowitz.com\/about-the-artist\/\">Portfolio<\/a><br \/>\nRenzo Bertasi (Italy) &#8211; <strong>Dreaming Sirmione<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.renzobertasi.com\/\">Portfolio<\/a><br \/>\nNicola Bianchi (Italy) &#8211; <strong>Strays <\/strong>&#8211; <a href=\"https:\/\/www.nicolabianchi.com\/\">Portfolio<\/a><br \/>\nGiacomo Biassoni (Italy) &#8211; <strong>Agro Romano <\/strong>&#8211; <a href=\"https:\/\/instagram.com\/giacomo.biassoni\/\">Portfolio<\/a><br \/>\nValentina Bobbi Cipriani (Italy) &#8211; <strong>Enjoy the silence<\/strong> &#8211; <a href=\"https:\/\/www.valentinacipriani.com\/\">Portfolio<\/a><br \/>\nLeonardo Bocci (Italy) &#8211; <strong>Italian Atlas<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/leonardo___bocci\/\">Portfolio<\/a><br \/>\nAimone Bonucci (Italy) &#8211; <strong>Inside\/Outside<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.aimonebonucci.it\/\">Portfolio<\/a><br \/>\nMarco Borzacchi (Italy) &#8211; <strong>Se sognando <\/strong>&#8211; <a href=\"https:\/\/www.coroflot.com\/marcoborzacchi\">Portfolio<\/a><br \/>\nMarisa Pia Boscia (Italy) &#8211; <strong>The sting of remembrance: from Campobasso to Toro<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/marisaboscia\/\">Portfolio<\/a><br \/>\nGianpaolo Bosoni (Italy) &#8211; <strong>Sirmione: Land of Beauty between freshwater and sky <\/strong>&#8211; <a href=\"https:\/\/www.gpbphoto.com\/\">Portfolio<\/a><br \/>\nCelia Bougdal (Algeria) &#8211; <strong>Night and day<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/celiastaphylo\/\">Portfolio<\/a><br \/>\nAngela Bozzi (Italy) &#8211; <strong>Sirmione: in prima visione<\/strong><br \/>\nMajlend Bramo (Italy) &#8211; <strong>Like Sugar in Milk <\/strong>&#8211; <a href=\"https:\/\/www.majlendbramo.com\/\">Portfolio<\/a><br \/>\nDomenica Bucalo (USA) &#8211; <strong>Labor of love<\/strong> &#8211; <a href=\"https:\/\/www.artdomenicabucalo.com\/\">Portfolio<\/a><br \/>\nRenato Bueno (Germany) &#8211; <strong>Z\u00fcruckbleiben, bitte<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.buenout.com\/\">Portfolio<\/a><br \/>\nAlexandra Buxbaum (USA) &#8211; <strong>Burundi<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/buxbaumphoto\/\">Portfolio<\/a><br \/>\nJean-Marc Caimi + Valentina Piccinni (France\/Italy) &#8211; <strong>En pr\u00e9sence de l\u2019absence<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.caimipiccinni.com\/\">Portfolio<\/a><br \/>\nClaudia Calderone (Italy) &#8211; <strong>Rifugio nell&#8217;immaginario<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/claudia.bouvier\/\">Portfolio<\/a><br \/>\nFederico Calogero (Italy) &#8211; <strong>Entimema: da verosimiglianze o da segni<\/strong> &#8211;\u00a0<a href=\"https:\/\/federicocalogero.com\/\">Portfolio<\/a><br \/>\nFabiana Calvo (Italy) &#8211; <strong>Trittico dell&#8217;acqua silenziosa<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.fabianacalvo.com\">Portfolio<\/a><br \/>\nEmanuele Camerini (Italy) &#8211; <strong>Dream<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.emanuelecamerini.it\/\">Portfolio<\/a><br \/>\nAndrea Camiolo (Italy) &#8211; <strong>Per un paesaggio possibile<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.instagram.com\/andreacamiolo\">Portfolio<\/a><br \/>\nJamila Campagna (Italy) &#8211; <strong>Layers of insight<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.jamilacampagna.com\/\">Portfolio<\/a><br \/>\nVincenzo Capaldo (Italy) &#8211; <strong>Loro<\/strong><br \/>\nMatteo Capone (Italy) &#8211; <strong>PCCB<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.matteocapone.it\/\">Portfolio<\/a><br \/>\nSavino Carbone (Italy) &#8211; <strong>Iraq: the Shia Revival<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/savinocarbone\/\">Portfolio<\/a><br \/>\nMartina Carbonelli (Italy) &#8211; <strong>Huso Huso<\/strong> &#8211;\u00a0<a href=\"https:\/\/martinacarbonelli.it\/\">Portfolio<\/a><br \/>\nFederica Carducci (Italy) &#8211; <strong>Ukrainian Diaspora Rooms<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.instagram.com\/fedeluciducci\">Portfolio<\/a><br \/>\nGiampaolo Carnemolla &#8211; <strong>Mondi paralleli: la sedia<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/giampaolocarnemolla\/\">Portfolio<\/a><br \/>\nMaria Pia Casertano (Italy) &#8211; <strong>AssenzaPresenza<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/filokalew\/\">Portfolio<\/a><br \/>\nPiergiorgio Casotti (Italy) &#8211; <strong>Index G<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.piercasotti.net\/\">Portfolio<\/a><br \/>\nAlessio Cassaro (Italy) &#8211; <a href=\"https:\/\/www.alessiocassaro.com\/\">Portfolio<\/a><br \/>\nChiara Cavarzan (UK) &#8211; <strong>Township Haze<\/strong> &#8211;\u00a0<a href=\"https:\/\/vimeo.com\/user67147511\">Portfolio<\/a><br \/>\nJavier Cecconi (Italy) &#8211; <strong>In fieri <\/strong>&#8211; <a href=\"https:\/\/www.behance.net\/JavierCecconi\">Portfolio<\/a><br \/>\nMarco Ceraglia (Italy) &#8211; <strong>Il ritratto di gruppo pi\u00f9 grande del mondo<\/strong> &#8211;\u00a0<a href=\"https:\/\/marcoceraglia.com\/\">Portfolio<\/a><br \/>\nTomaso Clavarino (Italy) &#8211; <strong>Have you ever heard the sound of falling rocks?<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.tomasoclavarino.com\/\">Portfolio<\/a><br \/>\nElisa Clementelli (Italy) &#8211; <a href=\"https:\/\/www.elisaclementelli.it\/\">Portfolio<\/a><br \/>\nNoris Cocci (Italy) &#8211; <a href=\"https:\/\/noriscocci.com\/\">Portfolio<\/a><br \/>\nGiovanni Cocco (Italy) &#8211; <strong>New Town No Town<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.giovannicocco.it\/\">Portfolio<\/a><br \/>\nGuglielmo Comez (Italy) &#8211; <strong>Caos<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/will_i.com.ez\/\">Portfolio<\/a><br \/>\nGiulia Natalia Comito (Italy) &#8211; <strong>Liquichimica &#8211; Saline Joniche<\/strong> &#8211; <a href=\"http:\/\/www.instagram.com\/giulianatalia.arch\">Portfolio<\/a><br \/>\nLuke Conroy + Anne Fehres (Australia\/Netherlands) &#8211; <strong>We are here<\/strong> &#8211; <a href=\"https:\/\/www.luke-conroy.com\/\">Portfolio<\/a>; <a href=\"https:\/\/www.annefehres.com\/\">Portfolio<\/a><br \/>\nGiuliana Conte (Spain) &#8211; <strong>Azotiku<\/strong> &#8211; <a href=\"http:\/\/giulianaconte.com\">Portfolio<\/a><br \/>\nAlessio Coser (Italy) &#8211; <strong>Bread for our teeth<\/strong> &#8211; <a href=\"https:\/\/www.alessiocoser.it\/\">Portfolio<\/a><br \/>\nEnzo Crispino (Italy) &#8211; <strong>Nei luoghi di Richard Lassels, viaggio in Italia.<\/strong> &#8211; <a href=\"https:\/\/www.enzocrispino.com\/\">Portfolio<\/a><br \/>\nDiego Cuellar (Spain) &#8211; <strong>Representacion de Catalunya &#8211; Efigie de un sitio<\/strong><br \/>\nRosario Curia (Italy) &#8211; <a href=\"https:\/\/rosariocuria.com\/\">Portfolio<\/a><br \/>\nMichael Dall&#8217;agnol (Italy) &#8211;<strong> Uno Nessuno Centomila<\/strong> &#8211; <a href=\"https:\/\/www.micdalll.it\/\">Portfolio<\/a><br \/>\nMichelle Davis (Italy) &#8211; <strong>Women of the Valley<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/michelledavisizm\">Portfolio<\/a><br \/>\nGiorgio De Camillis (Italy) &#8211; <strong>Ci divide solo il mare, ci unisce un unico cielo<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.giorgiodecamillis.it\/\">Portfolio<\/a><br \/>\nMartina De Giorgi (Italy) &#8211; <strong>Panopticon<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.instagram.com\/martinadegiorg\">Portfolio<\/a><br \/>\nAna Caroline de Lima (Brazil) &#8211; <strong>We are one: the Vicuna guardians<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.antropologiavisual.com.br\/\">Portfolio<\/a><br \/>\nClaudia De Nicol\u00f2 (Italy) &#8211; <strong>Estate italiana<\/strong> &#8211; <a href=\"https:\/\/www.kobostudio.it\/\">Portfolio<\/a><br \/>\nMarc De Tollenaere (Italy) &#8211; <strong>Uno, Nessuno e Cinquantamila: dentro le case dei Veneziani<\/strong> &#8211; <a href=\"https:\/\/www.marcdetollenaere.com\/\">Portfolio<\/a><br \/>\nGiuliano Del Gatto (Italy) &#8211; <strong>The Tiberians<\/strong> &#8211; <a href=\"https:\/\/giulianodelgatto.com\/\">Portfolio<\/a><br \/>\nGael Delpero (Italy) &#8211; <a href=\"https:\/\/www.gaeldelpero.com\/\">Portfolio<\/a><br \/>\nTiziano Demuro (Italy) &#8211; <strong>Morivo d&#8217;abbandono<\/strong> &#8211;<a href=\"https:\/\/tizianodemuro.com\/\">Portfolio<\/a><br \/>\nLuisa Denti (Italy) &#8211; <strong>Stato di beatitudine<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.vogue.com\/photovogue\/photographers\/162929\">Portfolio<\/a><br \/>\nGiuseppe Di Giandomenico (Germany) &#8211; <strong>Where water once flowed <\/strong>&#8211; <a href=\"https:\/\/instagram.com\/giuseppe_di__giandomenico___\/\">Portfolio<\/a><br \/>\nFrancesco Di Giovanni (Italy) &#8211; <strong>Tiles<\/strong> &#8211; <a href=\"http:\/\/www.francescodigiovanni.com\/\">Portfolio<\/a><br \/>\nMarco Di Marcantonio (Italy) &#8211; <strong>Act of killing<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/marco.di.marcantonio\/\">Portfolio<\/a><br \/>\nMaurizio Di Pietro (Italy) &#8211; <strong>Turkana Drought<\/strong> &#8211; <a href=\"http:\/\/www.mauriziodipietro.org\/\">Portfolio<\/a><br \/>\nErnesto Di Tommaso (Italy) &#8211; <strong>The game of opposites<\/strong><br \/>\nTiziano Doria (Italy) &#8211; <strong>Dalla pietra<\/strong> &#8211;\u00a0<a href=\"http:\/\/tizianodoria.blogspot.com\/\">Portfolio<\/a><br \/>\nMichael Durand (Ireland) &#8211; <strong>Blacker Than Any Blindness<\/strong><br \/>\nValeria El Zouki Mourad (Italy) &#8211; <strong>The Land of Contrast<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/valmouradphotography\/\">Portfolio<\/a><br \/>\nLucia Fainzilber (USA) &#8211; <strong>Flower never bend with the rainfall<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.luciafainzilber.com\/\">Portfolio<\/a><br \/>\nShabnam Ferdowsi (France) &#8211; <strong>As it goes, so it stays<\/strong> &#8211; <a href=\"http:\/\/www.shabnamferdowsi.com\/\">Portfolio<\/a><br \/>\nFabio Fiorentini (Italy) &#8211;<strong> Schignano<\/strong> &#8211; <a href=\"https:\/\/www.fabiofiorentini.com\/\">Portfolio<\/a><br \/>\nSara Floris (Italy) &#8211; <strong>Broletto: doni del passato per il nostro futuro<\/strong> &#8211; <a href=\"http:\/\/www.instagram.com\/sara.floris_hp\">Portfolio<\/a><br \/>\nCristiano Freschi (Italy) &#8211; <strong>Uno pi\u00f9 uno non fa due<\/strong> &#8211; <a href=\"https:\/\/www.cristianofreschi.com\/\">Portfolio<\/a><br \/>\nJenia Fridlyand (USA) &#8211; <a href=\"http:\/\/www.jenia.net\/\">Portfolio<\/a><br \/>\nLuca Fron (Italy) &#8211; <strong>City Plant<\/strong> &#8211; <a href=\"https:\/\/qumpu.wordpress.com\/\">Portfolio<\/a><br \/>\nTasneem Gad El Rab (Egipt) &#8211; <strong>The Anticipation of Sight<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/tasneemgad\/\">Portfolio<\/a><br \/>\nPauline Ganzenko (Russia) &#8211; <strong>Hypnosis<\/strong><br \/>\nSasha Gartside Knudsen (Netherlands) &#8211; <strong>Vipassana<\/strong> &#8211; <a href=\"http:\/\/www.instagram.com\/sashagartsideknudsen\">Portfolio<\/a><br \/>\nGiorgio Garzella (Italy) &#8211; <strong>Oggetto quasi<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/giorgiogarzella\/\">Portfolio<\/a><br \/>\nToma Gerzha (Netherlands) &#8211; <strong>Family Tree<\/strong> &#8211; <a href=\"https:\/\/toma.art\/\">Portfolio<\/a><br \/>\nCostantino Tito Ghiglione (Italy) &#8211; <strong>UNTER, body landscape<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/tito.ghiglione\/\">Portfolio<\/a><br \/>\nAnna Ghittino (Italy) &#8211;<strong> Vernazza <\/strong>&#8211; <a href=\"https:\/\/www.instagram.com\/ghittinoanna\/\">Portfolio<\/a><br \/>\nSimona Ghizzoni (Italy) &#8211; <strong>Isola<\/strong> &#8211; <a href=\"http:\/\/www.simonaghizzoni.com\/\">Portfolio<\/a><br \/>\nSusanna Giacinto (Italy) &#8211; <a href=\"http:\/\/www.instagram.com\/susanna.giacinto\">Portfolio<\/a><br \/>\nValentina Giacomini (Italy) &#8211; <strong>The Secret Ingredient<\/strong> &#8211; <a href=\"https:\/\/www.valentinagiacomini.com\/\">Portfolio<\/a><br \/>\nSara Giuliani (Italy) &#8211; <strong>The night when bears, goats and monsters dance together<\/strong> &#8211; <a href=\"https:\/\/saragiuliani.com\/\">Portfolio<\/a><br \/>\nAnna Giuntini (Italy) &#8211; <strong>Fire+Ice<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.annagiuntini.com\/\">Portfolio<\/a><br \/>\nEad Gjergji (Italy) &#8211; <a href=\"https:\/\/www.eadgj.com\/\">Portfolio<\/a><br \/>\nDaria Glishchinskaia (Russia) &#8211; <strong>Minimarket around the clock<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/clo_sssssse\/\">Portfolio<\/a><br \/>\nAna Gomez de Le\u00f3n (Mexico)\u00a0&#8211; <strong>T\u00e4ke<\/strong> &#8211; <a href=\"http:\/\/www.anagdl.com\/\">Portfolio<\/a><br \/>\nGiulia Gorla (Italy) &#8211; <strong>Agricolae<\/strong> &#8211; <a href=\"https:\/\/www.flickr.com\/photos\/giuliagorla\/\">Portfolio<\/a><br \/>\nRaffaella Grandi (Italy) &#8211; <strong>Lungo il fiume<\/strong> &#8211; <a href=\"https:\/\/www.raffaellagrandi.com\/\">Portfolio<\/a><br \/>\nEmma Graziani (Italy) &#8211; <strong>Intersezioni di mondi<\/strong> &#8211; <a href=\"https:\/\/emmagrazianifotografie.weebly.com\/\">Portfolio<\/a><br \/>\nMichele Gregolin (Italy) &#8211;<strong> Inquietanti Sagome<\/strong> &#8211; <a href=\"http:\/\/www.michelegregolin.it\/\">Portfolio<\/a><br \/>\nMarco Guai (Italy) &#8211; <strong>The art of photographing art<\/strong> &#8211;\u00a0<a href=\"https:\/\/mrcgua.wixsite.com\/foto\">Portfolio<\/a><br \/>\nNicola Guida (Italy) &#8211; <strong>World of Water<\/strong> &#8211;\u00a0<a href=\"https:\/\/nicolaguida.wixsite.com\/photography\">Portfolio<\/a><br \/>\nBaraa Haddad (Turkey) &#8211; <strong>Colors of Kabul<\/strong>\u00a0&#8211; <a href=\"https:\/\/www.instagram.com\/baraa_haddad1\/\" target=\"_blank\" rel=\"noopener\">Portfolio<\/a><br \/>\nPulak Halder (India) &#8211; <strong>Painting with Camera<\/strong><br \/>\nChristian Helgi (France) &#8211; <a href=\"https:\/\/www.christianhelgi.com\/\" target=\"_blank\" rel=\"noopener\">Portfolio<\/a><br \/>\nHannah Hern\u00f8-Toftild (UK) &#8211; <strong>Marshland<\/strong>\u00a0&#8211; <a href=\"http:\/\/www.hannahherno.com\" target=\"_blank\" rel=\"noopener\">Portfolio<\/a><br \/>\nMarcin Id\u017akowski (Poland) &#8211; <strong>Modern Talking<\/strong> &#8211;\u00a0<a href=\"https:\/\/fundacja4wymiar.wixsite.com\/marcinidzkowski\" target=\"_blank\" rel=\"noopener\">Portfolio<\/a><br \/>\nSofia Isalberti (Italy) &#8211; <strong>Milan<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/sophiie.photography\/\" target=\"_blank\" rel=\"noopener\">Portfolio<\/a><br \/>\nAntonio Iubatti (Italy) &#8211; <strong>Swing in the head <\/strong>&#8211; <a href=\"https:\/\/instagram.com\/antonio.iubatti\/\">Portfolio<\/a><br \/>\nKhushboo Jain (India) &#8211; <strong>Enduring Memories<\/strong>\u00a0&#8211; <a href=\"https:\/\/www.khushboojainphotography.com\/\" target=\"_blank\" rel=\"noopener\">Portfolio<\/a><br \/>\nFeng Jiang (Taiwan) &#8211;<strong>\u300c\u7f8e\u300d\u570b The U.S. (Unwholesome Shelter)<\/strong>\u00a0&#8211; <a href=\"https:\/\/www.feng-ish.com\/\" target=\"_blank\" rel=\"noopener\">Portfolio<\/a><br \/>\nAle\u0161 Jungmann (Czech Republic) &#8211; <strong>Landscape<\/strong> &#8211; <a href=\"https:\/\/alesjungmann.cz\/\">Portfolio<\/a><br \/>\nKoke Kairos (UK) &#8211; <strong>Force of Reason<\/strong><br \/>\nElena Kalyuzhnaya (Russia) &#8211; <strong>Fairy tales end<\/strong> &#8211; <a href=\"https:\/\/elenakalyuzhnaya.com\/\">Portfolio<\/a><br \/>\nAriya Karatas (Italy) &#8211; <strong>\u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f (Bulgaria)<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/ariya_karatas\/\">Portfolio<\/a><br \/>\nTomasz Kawecki + Aleksandra Przybysz (Poland) &#8211; <strong>The Biodegradable Space<\/strong> &#8211; <a href=\"https:\/\/www.tomaszkawecki.com\/\">Portfolio<\/a>; <a href=\"https:\/\/aleksandra-przybysz.format.com\/\">Portfolio<\/a><br \/>\nMarina Kazakova (Italy) &#8211; <a href=\"http:\/\/www.marinakazakova.it\/\">Portfolio<\/a><br \/>\nJulien Kirrmann (France) &#8211; <strong>La marche dominicale<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.juleinkirrmann.fr\">Portfolio<\/a><br \/>\nAnna Korbut (Switzerland) &#8211; <strong>Hippie 2.0 &#8211; Flower tribe in 2020s<\/strong> &#8211; <a href=\"https:\/\/annakorbut.com\/\">Portfolio<\/a><br \/>\nStefano Laddomada (Italy) &#8211; <strong>Batedo <\/strong>&#8211; <a href=\"https:\/\/stefanoladdomada.com\/\">Portfolio<\/a><br \/>\nMichele Lapini (Italy) &#8211; <strong>Ne m\u2019oubliez pas<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.michelelapini.net\/\">Portfolio<\/a><br \/>\nAna Cecilia Leal (Brazil) &#8211; <strong>Menos Pausa<\/strong> &#8211; <a href=\"https:\/\/analealphotography.com\/pt_br\/\">Portfolio<\/a><br \/>\nDaniele Leonardo (Italy) &#8211; <strong>Al posto di Pier Paolo<\/strong><br \/>\nFederica Leone (Italy) &#8211; <strong>Vagabonda<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/fedeleo8\">Portfolio<\/a><br \/>\nAixiao Li (China) &#8211;<strong> I am with me<\/strong> &#8211; <a href=\"http:\/\/www.liaixiao.com\/home\">Portfolio<\/a><br \/>\nLorenzo Linthout (Italy) &#8211; <strong>Di cielo e d&#8217;architettura<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.linthout.it\/\">Portfolio<\/a><br \/>\nCarlo Lombardi + Miriam Stanke (Italy\/Germany) &#8211; <strong>We were longing to fly, but not too far<\/strong> &#8211; <a href=\"https:\/\/www.carlo-lombardi.com\/\">Portfolio<\/a>; <a href=\"https:\/\/miriamstanke.com\/\">Portfolio<\/a><br \/>\nSilvia Lombi (Italy) &#8211; <strong>Naples<\/strong><br \/>\nAntonio L\u00f3pez (Spain) &#8211; <a href=\"https:\/\/www.instagram.com\/v_e_r_d_e_a_r_i_e_l\/\">Portfolio<\/a><br \/>\nGiusi Lorelli (Italy) &#8211; <strong>Suggestioni andaluse in controtempo<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.giusilorelli.com\/\">Portfolio<\/a><br \/>\nVincenzo Lupo (Italy) &#8211; <strong>Nomad camp to go and return<\/strong><br \/>\nSiliang Ma (China) &#8211; <strong>Insufficient Observation<\/strong> &#8211;\u00a0<a href=\"https:\/\/masiliang.com\/\">Portfolio<\/a><br \/>\nGiulia Madiai (Italy) &#8211; <strong>Tar<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/madiaigiulia\/\">Portfolio<\/a><br \/>\nDavide Magelli (Italy) &#8211; <strong>Quando cammino dimentico il tempo<\/strong><br \/>\nCecilia Maiolino (Italy) &#8211; <strong>Roma Ar Core<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.behance.net\/profile\/maiolinoce317b\">Portfolio<\/a><br \/>\nAngela Malavenda (Italy) &#8211; <strong>The poetry house<\/strong> &#8211; <a href=\"https:\/\/www.flickr.com\/people\/22983792@N06\/\">Portfolio<\/a><br \/>\nAlessandro Mallamaci (Italy) &#8211; <a href=\"https:\/\/www.alessandromallamaci.it\/\">Portfolio<\/a><br \/>\nSimona Mancini (Italy) &#8211; <strong>Urban, Light &amp; Garden<\/strong> &#8211;\u00a0<a href=\"https:\/\/filmvisionpollutio.wixsite.com\/kinoki\">Portfolio<\/a><br \/>\nViola Manfrini (Italy) &#8211; <strong>With open eyes <\/strong>&#8211; <a href=\"https:\/\/www.instagram.com\/de.haze__\">Portfolio<\/a><br \/>\nScott Maracle (Canada) &#8211;<br \/>\nFederica Marcelli (Italy) &#8211; <a href=\"http:\/\/www.instagram.com\/federicamarcelli\">Portfolio<\/a><br \/>\nVincenzo Maresca (Italy) &#8211; <strong>Sirmiography<\/strong><br \/>\nDavide Mari (Italy) &#8211; <a href=\"https:\/\/maridavide.it\/\">Portfolio<\/a><br \/>\nDiambra Mariani (Italy) &#8211; <strong>8 Moons<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.diambramariani.it\/\">Portfolio<\/a><br \/>\nMichela Mariani (Italy) &#8211; <strong>PH<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/guastorandagio\/\">Portfolio<\/a><br \/>\nMichele Martinelli (Italy) &#8211; <strong>Far South<\/strong> &#8211; <a href=\"https:\/\/www.michelemartinelliphotography.com\/stories\">Portfolio<\/a><br \/>\nRoberta Martucci (Italy) &#8211; <a href=\"https:\/\/www.behance.net\/robertamartucci\">Portfolio<\/a><br \/>\nAnna Martynenko (Germany) &#8211; <strong>Solitude<\/strong> &#8211;\u00a0<a href=\"https:\/\/anna-martynenko.com\/\">Portfolio<\/a><br \/>\nBianca Marucci (Italy) &#8211; <strong>Vivere i luoghi<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/biancamarucci.ph\/\">Portfolio<\/a><br \/>\nMattia Marzorati (Italy) &#8211; <strong>The land of holes<\/strong> &#8211; <a href=\"https:\/\/www.mattiamarzorati.com\/\">Portfolio<\/a><br \/>\nNicola Massella (Italy) &#8211; <strong>ADRIFT<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/nicolamassella_ph\/\">Portfolio<\/a><br \/>\nChristy Mc Namara (Ireland) &#8211; <strong>The Music of County Clare<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.christymcnamara.com\/\">Portfolio<\/a><br \/>\nDaniele Mele (Italy) &#8211; <strong>A story of love and loss<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/mledlf\/\">Portfolio<\/a><br \/>\nErik Messori (Italy) &#8211; <strong>Matilda: The First Sovereign of Italy<\/strong> &#8211; <a href=\"https:\/\/erikmessori.com\/\">Portfolio<\/a><br \/>\nGiulio Milaneschi (Italy) &#8211; <strong>Mancanze<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/giuliomilaneschi_\/\">Portfolio<\/a><br \/>\nRalph Milewski (Germany) &#8211; <strong>Can&#8217;t look away<\/strong> &#8211; <a href=\"https:\/\/www.ralphmilewski.de\/\">Portfolio<\/a><br \/>\nGiovanni Minervini (Italy) &#8211; <strong>Un altrove imprevedibile<\/strong> &#8211; <a href=\"https:\/\/www.giovanniminervini.it\/\">Portfolio<\/a><br \/>\nAlessandra Minotti (Italy) &#8211; <strong>Art of health food<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.alessandraminottiartgraphic.com\/\">Portfolio<\/a><br \/>\nAna Paula Mireles Andrade (Italy) &#8211; <strong>Sinapsi<\/strong> &#8211; <a href=\"https:\/\/anamirelesphoto.com\/\">Portfolio<\/a><br \/>\nElisa Molteni (Italy) &#8211; <strong>Designer of tomorrow<\/strong> &#8211; <a href=\"https:\/\/www.elisamoltenistudio.it\/\">Portfolio<\/a><br \/>\nAkhira Montague (USA) &#8211; <strong>When My Eyes Water<\/strong> &#8211; <a href=\"https:\/\/aaakhiraaa.com\/\">Portfolio<\/a><br \/>\nNelson Morales (Mexico) &#8211; <strong>Tree of Life<\/strong> &#8211; <a href=\"https:\/\/nelsonmorales.mx\/\">Portfolio<\/a><br \/>\nNiccol\u00f2 Morelli (Italy) &#8211; <strong>CISA<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/niccolo.morelli\/\">Portfolio<\/a><br \/>\nAgnese Morganti (Italy) &#8211; <strong>Pianosa: libert\u00e0 vigilata<\/strong> &#8211; <a href=\"https:\/\/aggiemorganti.com\/\">Portfolio<\/a><br \/>\nLinda Motta (Italy) &#8211; <strong>Wasabi. What I heard and saw in London<\/strong><br \/>\nMorris Movundlela (South Africa) &#8211;<br \/>\nDia Mrad (Lebanon) &#8211; <strong>Still Reflections: Buildings on a Lake<\/strong>\u00a0&#8211; <a href=\"https:\/\/www.diamrad.com\/\">Portfolio<\/a><br \/>\nFrancesco Munaro (Italy) &#8211; <strong>Laguna Veneta | Suggestioni<\/strong> &#8211; <a href=\"http:\/\/www.francescomunaro.it\/\">Portfolio<\/a><br \/>\nZiad Naitaddi (Morocco) &#8211; <strong>Fouad is not a Criminal: Purge<\/strong> &#8211; <a href=\"https:\/\/www.ziadnaitaddi.com\/\">Portfolio<\/a><br \/>\nRachel Naughton (Ireland) &#8211; <a href=\"https:\/\/rachelnaughton.com\/\">Portfolio<\/a><br \/>\nVeronica Nicholson (Ireland) &#8211; <strong>36 Views of Croghan Hill<\/strong> &#8211; <a href=\"https:\/\/veronicanicholson.ie\/\">Portfolio<\/a><br \/>\nElena Nieddu (Italy) &#8211; <strong>Lei<\/strong><br \/>\nAnders Nilsson (Sweden) &#8211; <a href=\"https:\/\/andersnils.com\/\">Portfolio<\/a><br \/>\nSIlvia Noferi (Italy) &#8211; <strong>Sottovetro<\/strong> &#8211; <a href=\"http:\/\/www.silvianoferi.com\/\">Portfolio<\/a><br \/>\nRicardo Okaranza S\u00e1ez de Arregui (Germany) &#8211; <strong>Subjective Atlas vol. VII<\/strong> &#8211; <a href=\"https:\/\/okaranzafotograf.mozello.com\/\">Portfolio<\/a><br \/>\nMaria Oliveira (Portugal) &#8211; <strong>To Wander the Sea<\/strong> &#8211; <a href=\"https:\/\/www.mariaoliveira.pt\/\">Portfolio<\/a><br \/>\nCatriona Osborne (Ireland) &#8211; <a href=\"https:\/\/www.caitosborneart.com\/\">Portfolio<\/a><br \/>\nAdi Padda (Italy) &#8211;<strong> Locked-Town <\/strong>&#8211; <a href=\"https:\/\/instagram.com\/lens_of_adi\">Portfolio<\/a><br \/>\nAndrea Pagliari (Italy) &#8211; <strong>Una turista alla scoperta delle bellezze di Mantova<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/a.pagliari.ph\/\">Portfolio<\/a><br \/>\nLetizia Palagonia (Italy) &#8211; <strong>Commistioni<\/strong> &#8211; <a href=\"https:\/\/www.vogue.com\/photovogue\/photographers\/190509\">Portfolio<\/a><br \/>\nGiovanni Paolone (Italy) &#8211; <strong>In\/Un-habitant<\/strong> &#8211; <a href=\"https:\/\/www.giovannipaolone.com\/\">Portfolio<\/a><br \/>\nNatalia Parfenova + Arturo Perez (Moldova\/Mexico) &#8211; <strong>Nature is a Haven for the Heart<\/strong> &#8211; <a href=\"https:\/\/www.natalia-parfenova.com\/\">Portfolio<\/a>; <a href=\"https:\/\/www.instagram.com\/artaureo\/\">Portfolio<\/a><br \/>\nGiovanni Pasinato (Italy) &#8211; <strong>A me piace guardare<\/strong> &#8211; <a href=\"https:\/\/fotogenia.me\/\">Portfolio<\/a><br \/>\nSalvador Pastor Roca (Spain) &#8211; <strong>Hopeland: An Eco-Community in Southern Greece<\/strong> &#8211; <a href=\"https:\/\/www.salvadorpastorphotography.com\/\">Portfolio<\/a><br \/>\nHannah Pater (Netherlands) &#8211; <a href=\"https:\/\/studiohans.org\/\">Portfolio<\/a><br \/>\nCamilla Pedretti (Italy) &#8211; <strong>The Guardian<\/strong> &#8211; <a href=\"https:\/\/www.behance.net\/camillapedretti\">Portfolio<\/a><br \/>\nClaudio Pelizzer (Italy) &#8211;<strong> History of Touches<\/strong> &#8211; <a href=\"https:\/\/www.retrofuture.it\/\">Portfolio<\/a><br \/>\nGiuseppe Piazza (Italy) &#8211; <strong>STILL living WATER<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.gpwphotojournalist.com\/\">Portfolio<\/a><br \/>\nEmiliano Picciolo (Italy) &#8211; <strong>Tangible Unreality<\/strong> &#8211; <a href=\"http:\/\/instagram.com\/emilianopicciolo\">Portfolio<\/a><br \/>\nDaria Piccotti (Italy) &#8211; <strong>Essendo atomo nel mondo<\/strong> &#8211; <a href=\"https:\/\/narravolando.com\/\">Portfolio<\/a><br \/>\nArianna Pierantozzi (Italy) &#8211; <a href=\"http:\/\/www.rainafotografia.it\/\">Portfolio<\/a><br \/>\nMauro Pirrello (Italy) &#8211; <strong>Sirmione<\/strong><br \/>\nElsa Pizzutto (Italy) &#8211; <strong>Blue<\/strong> &#8211; <a href=\"https:\/\/elsapizzutto.myportfolio.com\/\">Portfolio<\/a><br \/>\nCristina Puddu (Italy) &#8211;<br \/>\nGianmario Pugliese (Italy) &#8211; <a href=\"https:\/\/www.instagram.com\/gianmariopugliese\/\">Portfolio<\/a><br \/>\nTommaso Rada (Brazil) &#8211; <strong>Domestic Borders of Europe <\/strong>&#8211; <a href=\"http:\/\/www.radatommaso.com\/\">Portfolio<\/a><br \/>\nChiara Rapisarda (Italy) &#8211; <strong>Echoes of stones<\/strong> &#8211; <a href=\"https:\/\/www.chiara-rapisarda.com\/\">Portfolio<\/a><br \/>\nSara Rawlinson (UK) &#8211; <strong>Focused on King&#8217;s College Chapel<\/strong> &#8211; <a href=\"https:\/\/sararawlinson.com\/\">Portfolio<\/a><br \/>\nDumitrita Razlog (Romania) &#8211; <strong>The exciting life of Pierre<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/dumitrita_razlog\/\">Portfolio<\/a><br \/>\nMaria Remo (Germany) &#8211; <strong>Amarcord<\/strong> &#8211; <a href=\"https:\/\/mariaremo.de\/about\/\">Portfolio<\/a><br \/>\nGiuseppe Riccardi (Italy) &#8211; <strong>Montecalvario<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.behance.net\/giusericcard\/info\">Portfolio<\/a><br \/>\nLuana Rigolli (Italy) &#8211; <strong>Linosa<\/strong> &#8211; <a href=\"https:\/\/www.luanarigolli.it\/\">Portfolio<\/a><br \/>\nBenedetta Ristori (Italy) &#8211; <strong>You don&#8217;t need soil to grow<\/strong> &#8211; <a href=\"http:\/\/benedettaristori.com\/\">Portfolio<\/a><br \/>\nLucrezia Roda (Italy) &#8211; <strong>SEEN CITY &#8211; salvat ubi lucet<\/strong> &#8211; <a href=\"https:\/\/www.lucreziaroda.com\/\">Portfolio<\/a><br \/>\nThomas Ronchetti (Italy) &#8211; <strong>Dal tramonto all&#8217;alba<\/strong> &#8211; <a href=\"https:\/\/thomasronchetti.net\/\">Portfolio<\/a><br \/>\nGianmarco Rossetti (Italy) &#8211; <strong>The gold mine is not for everyone anymore<\/strong> &#8211; <a href=\"https:\/\/vimeo.com\/channels\/gianmarcorossettiworks\">Portfolio<\/a><br \/>\nFrancesco Rossi (Italy) &#8211; <strong>Salmastro<\/strong> &#8211; <a href=\"https:\/\/francescorossiphotography.com\/\">Portfolio<\/a><br \/>\nSara Russo (Italy) &#8211; <strong>Un dimanche apr\u00e8s-midi \u00e0 l&#8217;\u00cele de la Grande Jatte<\/strong><br \/>\nMaurizio Sabatini (Italy) &#8211; <strong>Art. 26 &#8211; 10 December 1948. Universal Declaration of Human Rights.<\/strong><br \/>\nAndrea Salerno Jacome (UAE) &#8211; <strong>Migratory Birds<\/strong> &#8211; <a href=\"https:\/\/www.andreasalernojacome.com\/\">Portfolio<\/a><br \/>\nGiorgio Salimeni (Italy) &#8211; <strong>Amore e cortesia<\/strong> &#8211; <a href=\"https:\/\/www.cesura.it\/members\/giorgio-salimeni\/\">Portfolio<\/a><br \/>\nSilvia Sanna (Italy) &#8211; <strong>Of nymphs and dream worlds<\/strong> &#8211; <a href=\"https:\/\/www.silviasannaartist.it\/\">Portfolio<\/a><br \/>\nGiuseppe Sannino (UK) &#8211;<strong> Imperfection<\/strong> &#8211; <a href=\"https:\/\/www.giuseppesannino.info\/\">Portfolio<\/a><br \/>\nGiuseppe Santagata (Italy) &#8211; <strong>Lost in Taiwan<\/strong> &#8211; <a href=\"https:\/\/www.giuseppesantagata.com\/\">Portfolio<\/a><br \/>\nDavid Sarappa (Italy) &#8211; <strong>Scent of Home<\/strong> &#8211; <a href=\"https:\/\/davidsarappa.com\/\">Portfolio<\/a><br \/>\nPolina Schneider (Germany) &#8211; <strong>Superhero<\/strong> &#8211; <a href=\"https:\/\/polisnaps.com\/\">Portfolio<\/a><br \/>\nAristidis Schnelzer (Germany) &#8211; <strong>Medicine+<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/aristidisschnelzer\/\">Portfolio<\/a><br \/>\nGiovanna Senatore (Italy) &#8211; <strong>The Beauty of Nature<\/strong> &#8211; <a href=\"http:\/\/mediaaetas.com\/\">Portfolio<\/a><br \/>\nDaria Senchikhina (Ukraine) &#8211; <strong>Bad Waking Dreams<\/strong> &#8211; <a href=\"https:\/\/senchikhina.com\/\">Portfolio<\/a><br \/>\nMauro Serra (Italy) &#8211; <strong>Les Parisiens<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.instagram.com\/mauroserra_fotografo_milano\">Portfolio<\/a><br \/>\nMohammad Shahnewaz Khan (Bangladesh) &#8211; <strong>Life in the times of Pandemic<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/shahnewazphotos\/\">Portfolio<\/a><br \/>\nDevashish Sharma (India) &#8211; <strong>Bark<\/strong> &#8211; <a href=\"https:\/\/www.devashishsharma.com\/\">Portfolio<\/a><br \/>\nRichard Sharum (USA) &#8211; <strong>Campesino Cuba<\/strong> &#8211;\u00a0<a href=\"https:\/\/richardsharum.com\/\">Portfolio<\/a><br \/>\nYingxi Shi (China) &#8211; <strong>\u827a\u672f\u9879\u2f6c (The Fabric of Relationship)<\/strong> &#8211; <a href=\"http:\/\/shiyingxi.com\/\">Portfolio<\/a><br \/>\nAndrea Shinigami (Italy) &#8211; <strong>44\u00b03\u201927\u201d N 12\u00b033\u201955\u201d E<\/strong> &#8211; <a href=\"https:\/\/www.andreashinigami.com\/\">Portfolio<\/a><br \/>\nClara Siliprandi de Azevedo Marques (Brazil) &#8211; <strong>Stela<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.behance.net\/claram8\">Portfolio<\/a><br \/>\nMargherita Simionati (Italy) &#8211; <strong>The final farewell<\/strong> &#8211; <a href=\"https:\/\/margheritasimionati.wixsite.com\/portfolio\">Portfolio<\/a><br \/>\nAtis Snevelis (Latvia) &#8211; <a href=\"https:\/\/schnep.wixsite.com\/second\">Portfolio<\/a><br \/>\nIldiko Sopronfalvi (Germany) &#8211; <strong>The ghost of the beautiful Arice<\/strong> &#8211; <a href=\"https:\/\/sopronfalviart.com\/\">Portfolio<\/a><br \/>\nAnna Marzia Soria (Italy) &#8211; <strong>Protection<\/strong> &#8211; <a href=\"https:\/\/www.behance.net\/fotografadf07d\">Portfolio<\/a><br \/>\nClaudio Stefanoni (Italy) &#8211; <strong>Kosmos Photography 1.0<\/strong><br \/>\nTommaso Sterza (Italy) &#8211; <strong>1:50<\/strong> &#8211; <a href=\"https:\/\/archerytommy.wixsite.com\/tommasosterza\">Portfolio<\/a><br \/>\nKavyaa Suryaa (UK) &#8211; <a href=\"https:\/\/www.behance.net\/kavyaasuryaa\">Portfolio<\/a><br \/>\nLucas Adrian Tabaschek (Argentina) &#8211; <a href=\"https:\/\/ltfoto.wixsite.com\/fotografia\">Portfolio<\/a><br \/>\nFilippo Taddei (Italy) &#8211; <strong>Sulcis in Fundo<\/strong> &#8211;\u00a0<a href=\"https:\/\/www.filippotaddei.com\/\">Portfolio<\/a><br \/>\nTerence Tam (UK) &#8211; <strong>The Tail of Lake Garda <\/strong>&#8211; <a href=\"https:\/\/teztam.myportfolio.com\/\">Portfolio<\/a><br \/>\nHiro Tanaka (Japan) &#8211; <strong>Bolzo<\/strong> &#8211; <a href=\"https:\/\/asianmanrecords.com\/hiro\/\">Portfolio<\/a><br \/>\nLucrezia Testa Iannilli (Italy) &#8211; <a href=\"https:\/\/www.lucreziatestaiannilli.com\/\">Portfolio<\/a><br \/>\nFrancesca Tilio (Italy) &#8211; <strong>Teenagers of the 21th Century<\/strong> &#8211; <a href=\"http:\/\/www.francescatilio.it\/\">Portfolio<\/a><br \/>\nGiulio Tonincelli (Italy) &#8211; <strong>Neverland<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/juliustoni\">Portfolio<\/a><br \/>\nSimone Toson (Italy) &#8211; <strong>Venice<\/strong> &#8211; <a href=\"https:\/\/simonetoson.it\/\">Portfolio<\/a><br \/>\nMarina Tsybizova (Italy) &#8211; <strong>Closer to origins<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/submarik\/\">Portfolio<\/a><br \/>\nGiovanni Oscar Urso (Italy) &#8211; <strong>Linea di galleggiamento<\/strong><br \/>\nPatrick Vaccalluzzo (Italy) &#8211; <strong>Gente di Venezia<\/strong> &#8211; <a href=\"https:\/\/www.patrickvaccalluzzo.com\/\">Portfolio<\/a><br \/>\nChiara Vallarino (Italy) &#8211; <strong>Il Carnevale di Viareggio<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/chiaravallarino_photographer\/\">Portfolio<\/a><br \/>\nLorenzo Vecchio (Italy) &#8211; <strong>Crash<\/strong> &#8211; <a href=\"https:\/\/lorenzovecchio.com\/\">Portfolio<\/a><br \/>\nChristian Velcich (Italy) &#8211; <strong>Under The fleece<\/strong> &#8211; <a href=\"https:\/\/www.instagram.com\/chrisvelcich\/\">Portfolio<\/a><br \/>\nPasquale Verdicchio (Canada) &#8211; <strong>U.S. Interstate 8: the Road to Casa Grande<\/strong><br \/>\nAndrea Verzola (Italy) &#8211; <strong>Simbiosi<\/strong> &#8211; <a href=\"http:\/\/www.andreaverzola.com\/\">Portfolio<\/a><br \/>\nMarilena Vita (Italy) &#8211; <strong>Keep silence please<\/strong> &#8211; <a href=\"https:\/\/www.marilenavita.com\/\">Portfolio<\/a><br \/>\nAlessandro Vitali (Italy) &#8211; <strong>Marine Snow<\/strong> &#8211; <a href=\"https:\/\/www.alessandrovitali.it\/\">Portfolio<\/a><br \/>\nJulia Vlasova (Russia) &#8211; <strong>In the structures of the general, 2021 &#8211; 2022<\/strong> &#8211;\u00a0<a href=\"http:\/\/julessjoy.art\">Portfolio<\/a><br \/>\nFederica Vuolo (Italy) &#8211; <strong>Sfrontato Respiro<\/strong> &#8211; <a href=\"http:\/\/www.behance.net\/FedericaVuolo\">Portfolio<\/a><br \/>\nKitty Wong (UK) &#8211; <strong>Brief Encounter<\/strong> &#8211; <a href=\"https:\/\/kittywong.photos\/\">Portfolio<\/a><br \/>\nAndrei Yakovlev (Russia) &#8211; <strong>Leonid<\/strong> &#8211; <a href=\"https:\/\/www.behance.net\/AndrewLili\">Portfolio<\/a><br \/>\nAlessandra Zampierolo (Italy) &#8211; <strong>Vivere le 5 Terre<\/strong><br \/>\nAlena Zhandarova (Russia) &#8211; <strong>Hidden Motherhood<\/strong> &#8211; <a href=\"https:\/\/alenazhandarova.ru\/\">Portfolio<\/a><br \/>\nAda Zielinska (Poland) &#8211; <strong>Post Tourism<\/strong> &#8211;\u00a0<a href=\"https:\/\/adazielinska.com\/\">Portfolio<\/a><br \/>\nMauro Zorer (Italy) &#8211;<strong> Napoli<\/strong> &#8211; <a href=\"https:\/\/maurozorer.it\/\">Portfolio<\/a><br \/>\nGabriella Zuppetta (Italy) &#8211; <strong>La dolce Ischia <\/strong>&#8211; <a href=\"https:\/\/gabyzuppetta.com\/\">Portfolio<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>283 applicants for the second edition of the Sirmione Photo Residency. Contents, styles, professional and artistic paths, poetics and techniques very different from each other, but united by the same great passion for photography and for the way with which only photography can tell the world and people. 283 projects, each of which deserves to [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":38122,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-64689","page","type-page","status-publish","has-post-thumbnail","hentry","liste-fotografia","liste-premio-sirmione-per-la-fotografia","liste-turismo"],"acf":[],"_links":{"self":[{"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/pages\/64689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/comments?post=64689"}],"version-history":[{"count":22,"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/pages\/64689\/revisions"}],"predecessor-version":[{"id":67930,"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/pages\/64689\/revisions\/67930"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/media\/38122"}],"wp:attachment":[{"href":"https:\/\/visitsirmione.com\/en\/wp-json\/wp\/v2\/media?parent=64689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}